- TECHSURVEY8: An Interview with Jacobs Media President Fred Jacobs
- Program Directors and Communicating
- Fresh Listen: Miami's Refreshing AC Battle
- Social Works for Building Music Audiences
- Houston: Gow Communications Purchasing ESPN Radio Affiliate KFNC 97.5 FM
- SFO: Room for More Layoffs at Entercom?
- Discussion: Broadcasting Companies Turn to Personality Tests for Employment
- Communication Tower Climbing: America's Most Dangerous Job? - Discussion
- Downsized by a RIF? Tell the Industry You're Looking for Work on Our Free Jobs Board
25 Plus
This essay, First Listen: KVGS (107.9 Bob FM), was written by Sean Ross for Radio-Info.com's 25 Plus column.
First Listen: KVGS (107.9 Bob FM)
A week ago, Radio-Info looked at who controlled the ’80s in various markets, including Las Vegas. Both early all-’80s outlet KSTJ (Star 102.7) and Jack FM (KKJJ) had eventually gotten out of their formats, leaving the ’80s scattered between AC KSNE, Jammin’ Oldies KOAS and Oldies/Greatest Hits KKLZ.This morning, the ’80s hole was filled when Alternative KVGS (Area 107.9) became 107.9 Bob FM. Consulted by Joel Folger, the new station is mostly pop-rock based, with the usual spikes that allow the “We Play Everything” positioning. There’s about 20% spillover with KKLZ, which is not literally co-owned, but is operated as part of the same cluster. At seven ’80s titles in the hour’s stretch we heard, Bob now edges out another cluster station, KOAS, with six.
One interesting aspect of the Bob launch, which was a few hours old when we listened, is a :60 promo we heard twice that seemed to be multiple stagers strung together. By now, you’ve heard the various characterizations of Bob-FM: “does the channel surfing for you”; “anti-tight-playlist, anti-corporate-radio”; “others claim to play variety”; “never know what you’re going to hear next.” This promo actually included those and, in fact, a total of 13 different selling propositions.
Here’s Bob 107.9 on Tuesday, Oct. 20 at 7:30 a.m.:
Styx, “Lady”
Pink, “Just Like A Pill”
Crowded House, “Don’t Dream It’s Over”
Boomtown Rats, “I Don’t Like Mondays”
Eddie Money, “Two Tickets To Paradise”
Scorpions, “No One Like You”
Rose Royce, “Car Wash”
Billy Joel, “It’s Still Rock And Roll To Me”
Adele, “Rolling In The Deep”
Def Leppard, “Foolin’”
Elton John & Kiki Dee, “Don’t Go Breakin’ My Heart”
Timbuk3, “The Future’s So Bright I Gotta Wear Shades”
John Mellencamp, “Ain’t Even Done With The Night”
Alanis Morissette, “Ironic”
Sly & the Family Stone, “Dance To The Music”
Peter Gabriel, “Big Time”
Better Than Ezra, “Good”
About the Writer
Sean Ross, one of the radio and music industry’s most widely respected writers and programming analysts, is the author of the newsletter Ross On Radio, an extension of his long-running column of the same name.
Comments
Wanna join the discussion?
You must login or register in order to post comments.
The more I look at and listen to the Bob/Jack/Ben-like stations, the more I see the comparison to the Top 40's/CHR's of the past. The hour of music above feels a lot like an hour I would have jocked at a CHR in the late 70's to mid 80's. Less currents and recurrents, but a wide variety that pulls the best from almost all contemporary formats and mixes that with today's hits. Back in the late 70's to mid 80's, the splintering of formats had just begun but hadn't yet gained much steam, so Top 40/CHR was still "the best of (almost) everything." Pop music of the day and crossovers from soul, country and by then, adult contemporary, which had just started to find it's own hits. That, mixed with a few late 60's to mid 70's gold tunes scattered about. (At CHR WSTW Wilmington in the mid-80's we even had a Saturday night late 60's-late 70's gold show.) Maybe that's why I enjoy listening to these stations. Throw some personality jocks into the mix and it'll feel like old days again. CHR for those who remember the genesis of the format.
Nice to see the Variety Hits format is hanging in there.




























